6

THE TELECASTER
EXCERPTS FROM A PERSONAL JOURNAL 1990/1991
BY WILLIAM HILLMAN 
CHAPTER VI
Reflections made during the year-long odyssey
in search of the first Masters Degree
presented to a Canadian educator
by Brandon University's Faculty of Education

A juxtaposition of thoughts emanating from nostalgia, 
family, music,teaching and the university experience

ACT IV: TELECASTER JOURNALS
CHAPTER VI
...and back... 
...to the future... 
coat of many colours... 
virtual reality generators... 
big train from memphis... 
life is a song... 
abbey road... 
harpers bizarre... 
reelin' in soho... 
war of the words... 
invasion of the body snatchers... 
something wicked this way comes... 
turn turn turn... 
the kettle boils... 
twin peaks... 
blackboard jungle... 
of mice and men... 
day tripper... 
barnstorming... 
route canal... 
shop till you drop... 
schicklgrubers, fickleflubbers, and others... 
the 'f' word... 
lame laws... 
a day in the life future shock... 
the show of shows... 
american woman... 
indigestion... 
podsnappery in potemkin... 
the high frontier... 
perspicillum perspective... 
20/20 to 2020... 
the fount of wisdom... 
upstairs, downstairs... 
californian or carpathian... 
pioneer... 
tut's trove... 
clouseau clues... 
'jogfree' lessons... 
highway 354... 
dejah thoris... 
diggin' up bones... 
deja vu... 
john campbell - pioneer... 
take it to the limit... 
zen and the art of life maintenance... 
time out 4d stretching... 
resource management...
.
.

CHAPTER VI

...AND BACK...
(POV WH a kid on the farm) Hi barn. Can't talk now... goin' over to the airplanes. Hey, the subs are launching... dive bomber... one torpedo... two... Come on Nipper, let's go to Tarzan's tree house, I'll take my musket. Dad will get me some shells tomorrow and we'll hunt lions with his high-powered rifle. I know! I'll climb Mount Everest. Hi down there Mom. Nah. I'm OK. Wanna go into the Chamber of Horrors? Only five cents.

...TO THE FUTURE...
"Things won are done; joys soul lies in the doing." - William Shakespeare
My role as a teacher? To stoke curiosity...so that the bearer will leave on a quest with fire through life. My goal is to lead and to tempt students to taste and to actually live life - my gift is the 'beanstalk' seed of self-motivation which can yield the courage and determination needed on the long trek ahead. This really is the only lasting gift I can pack with them as they hurry out the door - they must travel the road to wisdom by themselves. Emotions, thoughts, memories, intelligence, and imagination are the magic vehicles which bear us along on this quest - powered by the boundless fuels of curiosity and love. The more of these fuels we use, and give away, the more abundant and accessible they become.

COAT OF MANY COLOURS
The Department of Education has not shown many of these fuel stations on the curriculum road map they issued, so I pack my own supply. I look upon the this map as an open, multi-dimensional grid into which I can weave rich, coloured tapestries - ever-swirling and unfolding and encompassing like some Merlin cloak with enchanted linings. This tapestry does not belong to me or the school, but to the student. It goes with him through life to either fall into disuse or to be embraced and nurtured into infinitely expanding universes. Some are content to pin a badge on it and hang it away, draped over a mortar board - but those who have been successfully touched and sparked never stop weaving and re-shaping this travelling cloak.

VIRTUAL REALITY GENERATORS
Imagination, curiosity and a sense of humour...if a kid can start with these gifts I believe he can achieve most anything. My kids have the rare privilege of growing up on a farm lived on and handed down by their ancestors, the bloodline stretching back unbroken to their great-great-grandfather.

The grounds they explore have a legacy of traditions and family vignettes - and they are adding to them every day. Many times I have pointed out the strange and wonderful worlds I explored when I was their age - the loose shingle in the barn which seems to talk when the wind blows right... the fallen trees whose silhouettes can float above the horizon like mis-shapen bi-planes... the slough which magically turns floating logs into submarines and thrown rocks into depth charges... the tree house made of saplings cut with my dad's (or was it Lord Greystoke's) hunting knife... the piece of curved wood from an old horse harness which surely must have at one time been an ancient musket... Dad's deadly .22 rifle with which I hunted gophers (the only creatures I have ever hunted)... the ancient towering spruce tree I used to climb... the pitch black crawl space under the verandah in which I duplicated a whole carnival strip of side shows and gyp joints. Silly? Maybe...but a few more minds have expanded to share all these spaces and it seems that each space is just a gate to countless more spaces - hypermedia gone wild.



BIG TRAIN FROM MEMPHIS
(POV Telecaster to the kid learning guitar) OK. Try again Will. You may not have much talent but you sure have desire. Now try the "C runs" your Dad showed you. Ha. Yep. Ya sound more like Luther Perkins every day "...because you're mine. I walk the line." Now the new chord Uncle Don taught you. OooYa. E7. Just like Elvis' Mystery Train. Yuch. That blister broke again. You're dripping blood all over my frets!

LIFE IS A SONG
"A man's life of any worth is a continual allegory." - John Keats
It has been popular to metaphorize life. All sorts of meaningful or implausible analogies have been concocted to paint a visual picture of the human condition. Modern day technology-influenced comparisons go so far as to suggest we are all runaway spaceships or computers without instruction manuals. The processes of life and learning, and of course teaching, have always touched me as being more like a series of songs. A song is brief and fleeting, but it can be sung continuously in many keys and parts - in unison, or with other voices and instruments. It can be perfectly in tune or sharp or flat and out of sync. It has the structure of verses and choruses and of rhythm and rhyme as well as the mathematical precision of notes, measures, and musical theory. Within this classical structure, however, there is room for unbounded creativity and improvisation. The traditional technical expertise of the classical form is open to experimental, emotional jazz interpretations. The singer can make the song sad or sweet, depressing or joyous.

ABBEY ROAD
A constant companion on our travelling adventure has been music. I try to walk a line between presenting the music kids can immediately relate to and that for which they have to stretch a little to comprehend. A favourite inspirational trick for encouraging both creative writing and musical tolerance is to turn down the lights and to put on some of my jazz, classical, or blues favourites. This aural stimulus usually becomes an intimate catalyst between the creative mind and the beckoning flicker of the computer monitor. I decided today, as a break from writing, that it was about time to show how this music is created. With this in mind, we squeezed into a recording studio to see first hand how a hit is recorded and then pressed, dubbed or 'CD'ed. As an introduction to all this, I showed the evolution of a song - going from hasty ciphers soiled Newcastle Ale beer blotters through scat melodies on cassette through rough demos and culminating in a rough-mixed studio out-take followed by the finished 2-channel mix. The overwhelming lesson which always comes out of this experience has to be the tremendous integration of art and computer technology in the music world.

HARPERS BIZARRE
(POV Telecaster guitar in England) It felt great to be back in the studio although today's was pretty tame compared with some of the ones we've been in - a punk rock dive in a converted coal cellar under a sidewalk in London's Soho, where we struggled with an ailing 16-track console while Chinese Tong wars raged on the street above. The Chieftains' studio up in Newcastle above a huge bingo hall... a haunted 24-track studio in a row house in Pity Me, just outside of Durham - where we used Elton John's piano, Keith Moon's drums and worked six consecutive 20-hour days Dire Strait's Alan Clark. I think Will did a pretty good job of explaining the excitement and complexities of a recording studio to his students - he couldn't have done it without my help though.

REELIN' IN SOHO
(Words & Music by Bill Hillman) (From CD Album #10)
Warm summer night in a green Bromley garden
Done thirty nights of singin' - runnin' 'round ole England
Picking out the songs to lay down tomorrow
Songs about lovin' - leavin' - and sorrow
Monday morning moving into Bromley Station
Munchin' fish and chips wrapped in the news of the nation
A Charing Cross stop and then we're out to Trafalgar
Humpin' piano and draggin' a guitar
CHORUS:
Rocking and rolling and reeling to Soho
Boogie Woogie Woogie into London Town
Rocking and rolling and reeling in Soho
Boogie Woogie Woogie 'til we get back home
Huff and puff and shove to where the lions and pigeons stand
Wave and jump and whistle - callin' for a cabbie man
Cabbie man don't understand or talk Canadian
Drive around in circles - takin' every street he can
Later in the morning we're reelin' in Soho
Rocking a studio - ten feet down below
People on the street are dancing, pushing and shoving
Listening to the band just a reeling and rocking



WAR OF THE WORDS
(POV WH the young kid) "You read all those books TODAY? War of the Worlds... Treasure Island... Mutiny on the Bounty... Hamlet... Wuthering Heights... Call of the Wild...Sherlock Holmes... Ivanhoe... Robin Hood... Les Miserables... Frankenstein? No Way! Oh I see! They're only COMICS!" "They are not! They're Classics Illustrated... I've got over 100 of them ...and some day I'll have the real books too!"

INVASION OF THE BODY SNATCHERS
The noticeable thing about most of the areas we travel through is the great number of people with their inner resources atrophied. Seldom have they had to reach inward to grasp the thing that they wanted. Everything, from material requirements to ideas, is available ready-made. From mechanical gadgets in the shops to sensation on "the soaps," they can buy almost anything they crave. They can buy life itself from video movies and television - canned life. And even if they tried to reach inward for something that maybe they couldn't find manufactured, they would no longer find anything there. They've dried up. The vast expanses of the mind that could have been alive with creative activity are now no more than empty vaults that must, for comfort's sake, be filled with non-stop radio and television, and their conversation consists of streams of platitudes and cliches. And I don't know why. The professed intention of modern education claims just the opposite: to let children grow up in their own personal way into creative and interesting people. What has gone wrong?

SOMETHING WICKED THIS WAY COMES
A strange time warp we travel into today...
Shorten the school year - water down the courses - hire summer vacation camp supervisors for teachers... "Hey, how about the hockey fights last night!" - Intellectual pursuit?... "Don't be a nerd you geek!" - Quality?... "Don't be a weirdo!"...I'll be a millionaire jock... Join the mob... The terrible tyranny of the majority... "Let the other guy worry about it."... Pass the kid... get him outa here... just teach him enough to turn that crank... learning is dangerous... rocks the boat... stirs up minorities... unrest... thinking makes people unhappy - too many viewpoints... Make everyone equal!... gear the arts and sciences to the lowest common denominator - *popart* *popscience* *popgovernment* *popfood* *popnews* (Inquiring minds want to know [sic])... *popcorn*... put all your efforts into the discipline problems... forget the gifted - they'll eventually drift down and we'll meet in the middle of the road... program the desire to learn out of them... facts and trivia otta do it... re-write history to fit the "now" - the "in" - the "safe"... Books? What are they? Who has time!... wait for the condensed picture version... I'll watch it on TV... Muzak for the mind and senses... Spiritual fulfillment?... Send some money to Rex, Tammy and Jimmy... the local guy doesn't have any pizzazz - Jesus makes great TV commercials... Gimme immediate self-gratification - get it now - "charge it" - what the heck, we can always file bankruptcy and start all over - anyway, the government will bale us out or we can go on welfare... Famine and suffering over there?... forget it... they deserve it... keep that shell up... keep insured... stay supercool... blase... emotion coming on?... take a pill... dull it... watch it instead on the soaps... marriage ain't so hot?... check the contract... who needs commitment... who needs the hassle... "It's better for the kids this way."... keep it disposable... no mess... Nature is messy... tear it down... clean it up... put up a theme park... plastic trees... they don't shed... no raking... Fuel the economy with far off wars...

"...and Bradbury said about this book: 'I think that science fiction and fantasy offer the liveliest, freshest approaches to many of our problems today, and I always hope to write in this vivid and vigorous form, saying what I think about philosophy and sociology in our immediate future.'"

TURN TURN TURN
"As you can see this book was written 40 years ago about a society far into the future... an oppressive society where books are outlawed, where schools only indoctrinate and where the credo of 'happiness at any cost', has produced a violent society of despair and emptiness.
"So much for the far-fetched novel Fahrenheit 451... Space Opera stuff... it could never happen here...."

THE KETTLE BOILS
Life has an inner dynamism of its own which tends to grow, to be expressed, to be lived. The amount of destructiveness in a student is proportionate to the amount of which the expansiveness of his life has been curtailed. Destructiveness is the outcome of the unlived life. We see the result permeating our society - in our families and on our streets - in our schools and cities - on battlefields around the world.

We passed by through a mountainous region today - the going was rough - my companions were saddle sore and filled with the expectation of the coming weekend of play and "R & R". Since I too was not a little fatigued and just as anxious for a change in routine, I found myself at odds with the pack. While pausing on the divide in a pass between twin peaks, I channeled my frustration into the recounting of a favourite metaphor which seemed to fit the moment.



TWIN PEAKS
"The only good is knowledge and the only evil is ignorance." - Socrates
Each of us has two volcanic vents through which we release our subterranean explosive magmatic energies. One crater spews only angry destructive forces while the other dome is a miracle of rare device releasing a fount of creativity. Some have never opened the latter - they belch only through the destructive caldera: fury, bitterness, hostility, rage, hurt, alienation, aggression... destruction! These disasters occur everywhere, bringing unhappiness, suffering and hurt to all. Even when the forces are not vented the suppressed earthquakes can still radiate shock waves in all directions. But if the plug in the creative vent can be popped, pressure is released. As this vent is widened, the destructive flow is atrophied. A volcano which can release its energies in creating a grand and glorious Fujiyama has little left to spout from any other parasitic cone.

BLACKBOARD JUNGLE
(POV WH the kid) "Nope" "Come on Hillman. Have a drag." "Nah. Don't smoke." *** "Got some money for beer?" "Broke" "Ain't ya goin' to the bash?" "Can't" *** "You bought WHAT?" "What for?" "You're weird!" *** "Mystery Book Club?" "Science Fiction Book Club?" "RCA Record Club" "Columbia Record Club?" "Edgar Rice Burroughs Bibliophiles?" "Comic Books?" "Magazine Subscriptions?" "Elvis records?" ... "We can't afford all this. You're spending all your "chores money" and your savings. Now you want an ELECTRIC GUITAR. You hated piano. You quit that. You'll just do the same with the guitar. Well, ok ok... ask your grandma then."

OF MICE AND MEN
(POV WH the kid) If Grandpa will give me one more board it'll be finished...I hammered all the nails in myself. It looks just like Daddy's warship in the war. Too bad Daddy won't give me some paint to paint it...I didn't mean to ruin the basement window...I thought the green paint would wipe off. I can't wait to ride in it. Yuck...dragged it right through a cow pie...Wow... it's going to go good. Go way Nipper! Now it slides good on the mud. I bet I can sail right across to where the cows are...Ahhh...It's full of water. Stupid old box.

DAY TRIPPER
Over the last year I have made countless evening journeys, about a 250 km round trip each time, through all kinds of weather, to university evening courses. There are many different routes possible, and although I have a favourite, I never really know when I start out just which combination of roads my Ford will choose. Nor have I ever made lesson plans on my other daily journeys over the last 23 years. This has bothered some people. I tend to see the holy teacher's daybook as a sunlight-absorbing cloud between the conception and execution of my creativity - intercepting some of the energy and glamour which otherwise would splash across my canvass. To the extent that a teacher is an artist, and according to Plato there should be no distinction, his inner eye has the native power, unatrophied, to hold the work he means to do. And in the places where he can't see, he has a trust in himself that he will see it, either in time for the occasion or later in the thick of the battle. I want to see in my mind, as I teach, the idea itself, rather than the page it is written on. I need to work from conception itself directly upon my students without interference from the image of its record on a page - to work in a way that is clear without conflict and without interception. It does not always clarify thoughts to write them down - often much of the meaning is left behind in a preparatory sketch. Some of my best lessons have been entirely improvised, created under fire, in the heat of action. I like the unpredictability and variation of flying by the seat of my pants.

BARNSTORMING
Today I had planned to lead my travel companions through some interesting mazes - reservations were made and the tumblers were ready for me to pull the right levers. Ahead lay some stops I felt we were committed to make and my obvious indispensability set me awash in an aura of early morning smugness. On tap were hands-on experiences in computer programming, a reconnaissance tour through the Strathclair Train Station/Heritage Museum in preparation for a video documentary, a teacher-annotated viewing of the film Treasure Island to illustrate film grammar and techniques, a half-hour student stage adaptation of Shakespeare's As You Like It, future trends in computer data processing, and evening junior high prom ceremonies and celebrations. *** Gravel in the gears! *** A 9 a.m. call from Dr. Fogel's office - the home of the famous all-day $1 000 root canal - just one of the 100 things to love about Winnipeg. They had a 1 p.m. cancellation and would love to have me pay a visit if I could make it. Since I could hardly turn down such an fun-filled day I had no choice but to find a last-minute substitute and to come up with some hurried improvisations to salvage the day's activities and to meet all commitments - 'the show must go on!' The only substitute available, although very capable and experienced, was a teacher of an art/music/LA background, so I prepared the following itinerary:

ROUTE CANAL
Lead the class to the museum grounds and assign each student to make sketches of all sides of the museum, including the assortment of buggies, school vans, and sleighs in the lot. Inform them that this will ultimately lead to a cover illustration for our video documentary shooting script as well as for the opening credits of the video itself. Return to the classroom and ask the students to show you how they can convert these sketches to computer illustrations with the program Paint It.

View 30 minutes of the 1990 movie, Treasure Island starring Charlton Heston as Long John Silver. Pause along the way to discuss the film from an artist's point of view. Apply your knowledge of art techniques to the film making medium: perspective, lighting, framing, colour, texture, framing, angles, costumes, etc.

Meet at noon with the grade ten students we have trained to video tape tonight's prom and have them set up to tape this afternoon's live stage production of As You Like It. Your assistance in stage direction in this student-written/produced modern adaptation should be invaluable. We will view the tape later in class.

Share the knowledge you picked up this morning in assisting the Data Pro computer class with designing an office/home of the future - The Electronic Cottage. Read aloud my recently-written personal journal entry - a dream sequence describing a school of the future. Instruct the class to adapt as many of these ideas as possible to their Electronic Cottage assignment.
Feel free to let your imagination and creativity run amok in all classes.

"Pass the novacaine, Nurse."
SHOP TILL YOU DROP
"Education is what survives when what has been learned has been forgotten." 
- B. F. Skinner
When my riders eventually leave the convoy to strike out on their own, they will have to plan their own routes. A student leaving school is met with an endless banquet table festooned with a limitless and bewildering array of learning dishes. He must be able to pick and choose wisely as that selection is fundamental to what is actually learned. Experience, it is said, is the best teacher but this can only hold true for those who become the best students. Life is a persistent teacher - it will repeat a lesson over and over until it is learned. The result of all of this is that it is actually the student who becomes his own real teacher. Sadly, some students do not learn the lessons soon enough and they often stumble and fall all through life to meet miserable untimely ends.
I can teach the same lesson to a class and 20 different people will take away or remember quite different things from that lesson. As in life itself, all I can really do is to share ideas, experiences, explanations and points of view - the rest is up to my students - they must finish the process.

Regrettably, too many curriculum planners, teachers, and students feel that the role of education is to prove, fix, and perpetuate that which is already know as "fact" about the way things were rather than to evaluate the way things are and to prepare for what things will be or to discover new ways of thinking about this litany of "truths." As John Kenneth Galbraith pointed out "Faced with the choice between changing one's mind and proving there is no need to do so, almost everyone gets busy on the proof."



A DAY IN THE LIFE
(POV WH future kid) South sea breezes... Sound of breakers and sea birds... Drifting clouds across the ceiling screen. Parrots and monkey holograms are nattering excitedly. The air cushion is lowering to the bedroom floor.
Ah darn! Time to get up already. We throw off the compforter which adjusted automatically last night for light weight, light texture, low heat to coincide with our Computer "South Seas Sunny" selection.
"Computer. Full Hygiene... Massage...Groom."
Sue-On, as usual, is looking after breakfast and wardrobe, "Computer. Serve breakfast A-3." "Computer. Prepare wardrobes W-S-15 and S-S-3."
I really need a hot cup of syn-coffee with bio-tailored longevity/ memory/ energy/protein supplements before I can effectively go through my morning preps.
"Computer. Screen BR-E-Full. School Memo over News Global Hilights.
"Computer. Load Wrist Computer Port 2. Transfer Lesson Aids LA-312 and Last Prep Creation."
"Computer. Send Morning Message Board to School Computer."
"Computer. Hologram South Seas Sunny Off. Hologram Karate Kata Pinan Nidan On. Slow Moves."
"Computer. Deliver WAG Vehicle Configuration 2/3/1."
"Comp Set Safety Course Route 354N. Activate Roof Satellite Nav/CD Map Systems."
"Comp Activate WAG Park Alarms Systems. Solar Recharge."
As usual the queue is shorter at portal 9 as it has been programmed for only teaching staff palm checks.
"Computer. On Wall...Ceiling...Floor...Work Station Screens. On Disk and Cube Interactors. On Hologram Interactors. Standby Virtual Reality Generator...Program 1600 Globe Theatre Macbeth Act II."
"Wrist Comp. Play NavNet School Messages."
"Wrist Comp. Phone. Find and Contact Number Via Least Expensive Service Link. Ed AV Data Bank. Brandon University. Brandon. Computer Retrieve Elizabethan Scores and Holograms v.3."
"Pocket Comp. Project School Budget Word Figure and Picture File #4 Onto Eyeglasses. Voice Revision. Delete Line 16. Recalc. Delete Photo 3-16. Zap To Division 38 Office."
"Computer. Custom Newspaper. Print 20 Hard Copies and Show Room 3A Main Screen. Today's Global Science News. Science Related Cartoons."
"Computer. Print To EyeScreen Week's Movie Reviews. Import Movie of the Week to Main 3D Interactive Hologram Screen Room 5C. Student Option... Full Surround Sound... or Mono Left Bank... Annotations Right Track."
"Pocket Comp. Print to EyeScreen. Audio to Ear Pods. Continue Novel. Add Background Music to Pods. Chopin.2. Volume Level 2.5."
Clock Radio... CBK Regina AM... CBC Morning News... The sun is in my eyes. Sue-On's running a Bath. The kids downstairs are watching cartoons while waiting for the big old yellow school bus... That Magpie's squawking again... Oh-Oh. Must be a south wind. It's blowing in summerfallow dust through the bedroom patio door. What was that crazy dream last night?
Ah darn! Time to get up already. I throw off the comforter which...

FUTURE SHOCK
Change is avalanching down upon our heads, 
and most people are utterly unprepared to cope with it. - Alvin Toffler
THE SHOW OF SHOWS
(POV WH the farm kid) "Ah come on, Grandpa. The kids saw it last night - through the window and you can hear it through a speaker. Come on take me in to town, please. OK?" Jackie Gleason... Liberace... Terry and the Pirates... Count of Monte Cristo... wrestling... Darn... I can't see... too many people pushing me off the sidewalk. Darn mosquitoes... and now it's raining. "When can we get one Grandpa? Just 800 dollars and you even get a big antenna for the roof with it. I'll save my allowance."

AMERICAN WOMAN
(POV WH the school kid) "Come on Mr. Ferguson - tell us some more about the school you taught in last year - back in the States. What stuff have they got there that we don't have." "Well... they had a gym... and big playground... yeh more than just two swings... and a football field... the kids don't play tackle football all winter out in the snowbanks... and they had pads and turf and bleachers and cheerleaders. The students can buy their lunches and cokes right in the school. We had a secretary with a typewriter... in an office... by the library. The kids were brought to school in big school buses, not private cars like you have here... and they didn't have much snow in the winter so there weren't any horse-drawn school vans when the snowdrifts got too high. They even used the buses to take the kids on field trips. And you know that jelly duplicator I've got to use for your tests?... well back home they have a big machine that cranks out copies. No... really... it's all true... this is 1959 you know. Now about your final exam... you write it next Monday... here it is... there'll be 3 of these 10 questions on it... yeh, that's right... no trick... promise."

INDIGESTION
I enjoy the strange perspective of having been in the same school for over 35 years... the first 12 as a student. I came back to this school after a couple of years at Brandon College to teach 'on permit'...with most of the same staff whom had been my teachers a few years before. The changes I have seen occur in my school since mid-century are mind boggling - the facilities, the surrounding community, the values, the teaching styles, the technology employed, student expectations, curriculum... the list is seemingly endless. There have been such catastrophic changes that it seems that all of us are groping... the kids seem able to adapt quite readily, however, as long as the school charts a realistic and thought-out course. But this is where the problems too often arise... the immediate sphere in which the kids find themselves is too often caught up in some weird other-dimensional timewarp and the whole thing disintegrates, spewing out kids along the way - battered and crippled.

While we have made progress in every other field, it is considered to be a matter of great pride that over more than two thousand years we have made no progress at all in developing new thinking tools - Edward De Bono



THE FOUNT OF WISDOM
Participation, not regimentation Insights, not classified data Self-actualization, not adjustment Integration, not fragmentation Creativity, not conformity Problems, not answers Struggle, not goals Change, not fixity Probes, not exams Making, not matching Pattern-recognition, not fact-gathering Imagination, not objective intellectualizing Dialogue, Discovery, and Diversity
Honorificabilitudinitatibus?
or
Hippopotomontrosesquipedalianism?
UPSTAIRS, DOWNSTAIRS
We boarded the Titanic today. Whenever it is time to study the culture of the Western World during the Victorian/Edwardian eras I find it most expedient to take my companions on this trip. Life around and aboard this ultimate culmination of technology out of the industrial revolution/iron/steam age is a microcosm fully representative of that time. As we wandered the decks we experienced first hand the fashions, speech, customs, gossip, news, and marvels, as well as the morality, mores, hopes, fears and aspirations of that by-gone age - an endlessly fascinating laboratory for studies of human nature and technology of another time.

CALIFORNIAN OR CARPATHIAN
If a teacher stops observing, his effectiveness in the classroom becomes drastically reduced. But an experienced teacher does not always have to observe consciously nor think how it will be useful. Perhaps that would be true at the beginning and this is where the real advantage of having had the experience of developing self-reflective knowledge through journal writing shines through. But later, everything he sees goes into the great reserve of things he knows or has seen. I find this analogous to an iceberg. Only one-tenth of the 'ice mountain' is visible above the surface - nine-tenths of the true might and power of this floating behemoth lies below.

PIONEER
(Words & Music by Bill Hillman) (From CD Album #10)
Rolling down the highway we're Strathclair bound
Daydreams and memories growing town by town
Elphinstone, Menzie and the stones by the Bend
Green Bluff and Marney and Salt Lake sands
We'll be dancin' and prancin' - spirits a-flyin'
No time for cussin' or fussin' and cryin'
Pick a little tune - a jig and a song
Families old an new gonna sing along
O Pioneer - Your song goes on
Echoing through the sky
O Pioneer - I'll sing your song
till the day I die
I see the phantoms and shadows on the far horizon
Stories of the Redman and herds of bison
Railroad, wagon, trader and miner
Lawman, outlaws and old moonshiners
Shaken out of my dreams by the tires a-whinin'
Just another sound of the old west dyin'
Can't live the past but I'll sing it in song
Kindle old times as we roll along


TUT'S TROVE
In the hurly burly of life on the road it is not always convenient or desirable to segregate our lessons into neat little packages of computer studies, language arts or social studies, so we often carefully select the fruits from these various trees and carry along the harvest in the same tote sack. We embarked upon such a harvest today as we ravaged the local museum on a research 'scavenger hunt.' Coincidentally most of the museum committee were in the building as they were in the midst of their annual pre-summer cleaning and reservations. This honest assemblage of hard-working seniors obligingly assisted my charges as they scoured the contents of the century-old, converted train station cum museum. Our hunt involved finding and documenting items representative of 55 carefully chosen categories (oldest, most unusual, ugliest, lightest, heaviest, most valuable, prime colours, measurement, invention which never made it ...which should have made it, etc.). After a full two hours we retreated to enter this data into data bases. This only served to whet the appetites of many of our historians who excitedly reported that they had stumbled upon a treasure chest back in the museum. This chest contained hundreds of file cards on which some industrious volunteer had typed the number, name and donor of each item in the museum. Already this group was planning how they could convert this file card information over to a computer data base format. While this team of specialists was conferring, the rest of us speculated on what would be the most intriguing present day items we would put into a museum 100 years from now.

CLOUSEAU CLUES
I concluded our morning excursion by role-playing a bumbling, inept, misinformed museum curator of a Museum of 2091. Such a role did not require much of a character transformation on my part as I stumbled in with a box of old 1991 artifacts and attempted to explain to my audience the probable function of each:

Postage stamps = decorative body stickers Hubcap = soup drinking bowl Vic 20 Computer = finger exercise devices Two dollar bills = kindling papers for sacrificial fires Floppy diskettes = children's throwing toys Video tapes = decorative streamers ...and similar oddities...
Each member of my audience was encouraged to bring along more archaeological items for discussion on next day's journey.



'JOGFREE' LESSONS
Laughter is inner jogging.-Norman Cousins
We went jogging today. Every year many of my travel companions join up with officers of the local RCMP detachment to run for a few blocks around town. This annual fund raising event is eagerly awaited - not just as a change from daily routine but as a way of participating in a worthwhile humanitarian act. Most of us are well intentioned - we just need a rallying call or a little nudge or reminder once in a while.

In my jogging, as in life, I try to start off into the wind - into the wind for the first half of my run so that I may better gauge how far my stamina will take me on that day. The return journey, then, with the wind now a propelling friend, can be made with verve and gusto - I shall entrust the nurturing of this seed analogy to fertile mind of the reader.

The daily jogging ritual serves as both a physical and mental conditioner for my half-century-old organism. I prefer to run in the evenings or after a full day's work in the post-midnight hours. My mental state during morning runs is very much like a blank slate which I can polish and make shine and look good, but my evening mind takes the day's experience jumble jungle and creates the totally unexpected. Over the years I have had a long line of thought revelations and crystallizations join in to pace me - only to fall behind, lost in my dust wake. This has been so frustrating that I have taken to carrying a file card and pencil. My regimen involves a daily run of at least three miles on Highway 354 - pausing at half mile intervals to practice the moves of my latest karate kata. Whenever an idea for a new song, lesson, journal entry, or any other monumental snippet for living hits me, I pull out my HB and scribble on the fly - all-the-while dodging farm pickup trucks and flying dust, bugs and gravel. These unorthodox actions by an oddly-dressed, bearded musician have, I am sure, given me the reputation of being somewhat eccentric, certainly one better adapted for residing at a funny farm than at Maple Grove NW 24-16-22.

In my work, theory and practice are inseparable. Practice is theory in action. If theoretical notions and practice are incompatible, then the theory should be questioned ever as much as the practical. Theory must be open to change and to modification according to the shifting exigencies of the practical world. It is with this rationale that I have approached the official Manitoba Department of Education curriculum which I must use in my teaching. Many of my interpretations and implementations of this curriculum are provided elsewhere in this document. My stamp is especially evident in areas of computer and technology integration in English and geography courses. The curious thing about all these innovations, however, is that the theory behind them developed under the stars, late at night, alone, on a rutty, country gravel road.


HIGHWAY 354
(Words & Music by Bill Hillman) (From CD Album #12)
Slam the car door, Highway 3-54
Gonna take me from a week of 9 to 5
Love that highway sound - lonely Manitoba towns
Lights and truckers - weekend lovers flying by
CHORUS:
O I can take it - think I'll make it Even tho it take a mighty long time
O I'll keep shakin' & fakin' & rakin' in the dollars & dimes
Gimli Carman Dauphin - Brandon Shilo Austin
Then on the road and home to Maple Grove
McCreary Minnedosa - Portage Wawanesa
Keep makin' records looking for gold
9 to 5 a day job - only in the way job Longin' for the weekend show
9 to 5 a day job - just a slavin pay job Dreaming 'bout another life I know


DEJAH THORIS
(POV WH school kid)"It's my turn! I'll do it." I got to clean the black board brushes on the machine down in the basement today. We'll move into bigger desks next year - the metal ones with "Globe" written on the side - they've got some neat initials and stuff carved into them. Hope they don't put me in front of Allan again - he copied my work all year. I'll miss looking up at the maps and the picture of the kid in the blue suit and that painting of the mountain with the cross on it... and all the grade six class pictures taken on the front steps of the school. Maybe Mrs. Glenn will write the numbers bigger on the board - Miss Armstrong makes the arithmetic questions too small to read. I'll be glad when we get to use the new book cupboard - I've read all of these - I've even read Chessmen of Mars three times. The best part was the rules for Martian Chess - Jetan. I've just about finished making another board with 100 black and orange squares and all the new warriors and princesses to do battle across its Martian deserts. Bonnie wants to play but she's still too little. Wonder if Earth Chess is like Jetan... don't know anyone who knows how to play it. Taught everyone in class how to play Jetan though... even Allan.

DIGGIN' UP BONES
We returned to the Strathclair Museum today, breaking into specialist groups. Mission: To compile planning/research information for either a video voice-over and shooting script or for a feature article layout on a computer desktop publishing program. Our researchers were banded into five areas of expertise: Men at Work - Women at Work - People at Play - Kids - Communication and Transportation. One girl in the 'kids' group had the unusual experience of exploring, along with 20 contemporary anthropologists, the rooms in which her mother had lived as a very young girl. She explained to her associates that her grandfather had been station agent for the last 20 years this station had been in active service.

DEJA VU
I never tire of sharing the museum experience with my companions. It gives me time to wander through old memories and to make some new ones. The school display set up in the old station telegraph office has to be the most meaningful to me... I guess because I spent 12 years surrounded by the objects displayed here. The old chalk brush cleaning apparatus which swept the felts clean as you turned the crank - gagging on the chalk dust... the Blue Boy looking totally alienated on this usurper wall... the mountain landscape painting presented by the WI in memory of three kids killed in a car crash in 1944... the oh-so-small wrought iron row desks complete with ink wells and that teacher's-nightmare - grafitti... the slate blackboards on which I had so much trouble seeing the arithmetic questions, until I got my first eyeglasses... tattered archaic chocolate bar company wall maps... glass-doored book cases full of literary gems which no one today would have any interest in reading... and the biggest treat of all - a picture of the grade one class of 1926, all posed on the front steps of the old school. Staring at me from the fourth row up was the unmistakable face of my daughter China-Li, oddly identified on the picture frame as being one Louise Campbell... ...my mother...

JOHN CAMPBELL - PIONEER
(Words & Music by Bill Hillman) (From CD Album #10)
Westward bound the year was '78 John Campbell - Pioneer
Steamin' by train and rollin by wagon to Manitoba's wild frontier
His daddy built a house of sod just for the winter
Come summer built a house of stone
Cleared the virgin land and they did it by hand
Workin' achin' fingers to the bone
He met my Nannie in a country school house
Where they danced the night away
Bought a gold band and asked for the hand
Of pretty little Katy McKay
Green Bluff girl then moved into Maple Grove
Just a little south of town
Helping in the fields and cooking all the meals
And watching little babies run around
'20s brought good times, '30s took them back,
'40s called the second son away
Winter '55 took an old man's life
and a woman's will to live another day
But the house still stands to the memory of a man
Who settled this prairie land
Trees a-blowing in the wind still growing
Planted by a woman's loving hand.
Now I walk the same fields and the forests
But it's not as it once used to be And I realize
with tears in my eyes
Time fades their memory


TAKE IT TO THE LIMIT
What am I doing here? We have been on the dojo floor for three hours without a break - 80 aching, sweat-drenched bodies of ages ranging from six years to a "you'd think he'd know better and act his age and stay in his rocker on the front porch" 48. We have stretched, kicked, punched, blocked, leaped, run, rolled, and have driven our bodies to the limit. Now in a state of fatigue I realize that, as must my fellow karatekas, I have to dig a little deeper to pull out another spark of inner strength to keep going. Ahead lies two more hours - the most important two hours - in which we must drive our over-taxed bodies through kata and kumite. Three of my kin share this experience with me. Sons Ja-On and Robin are working at earning another stripe toward their Blue Belts, and my partner-in-life, Sue-On, is my partner in today's gauntlet run for this grading's top honour - a Brown Belt.

She has just returned after having disqualified herself - a week-long upset stomach let her down, forcing her to find a dark place to crawl into so that she could spew out this morning's light lunch. Rules state that if a contestant leaves the floor, s/he will be ineligible for grading that day. In such a weakened state, the temptation must have been overwhelming to stay on the sidelines - but she returns to my side - pale but back in the fight. *** Two more hours passed. *** The old guy got his belt.



ZEN AND THE ART OF LIFE MAINTENANCE
It is a common belief, in our individualistic democracy, that submitting to a "master" or hierarchical discipline is a criminal abdication of the sovereign self. Horror stories about the Moonies, Jim Jones, Scientology, and television evangelists, have led us to conclude that all gurus are power-tripping con men, most religions dwell in some duping never-never land and all followers are cop-outs who let their personal power and judgement be taken from them. But one who has the courage to let his convictions be radically questioned, on the grounds that they might be part of his problems, can sometimes experience the thrill of seeing the world and oneself made new and seeing his old mind-set become laughingly irrelevant.

Karate has a long tradition as an art of self-defence, as a sport, and as a means of improving and maintaining health - but the underlying philosophy within all the oriental martial arts is Zen. Since a beginner in martial arts enters the place of training full of his own opinions and thoughts he must empty the mind to become a vehicle for new learning, to drink in knowledge, to become open-minded. This is where the power of Zen comes to the fore.

To the oriental, everything in life has its opposite, which unites in harmony to become the cosmos. A symbol of these two opposing forces flowing into one another in a continuous state of change are the yin and yang, the positive and negative aspect of the universe. Neither can exist without the other. These two apparent opposites are not permanent and irreconcilable but constantly change in a ceaseless rhythmic cycle. Understanding this interchange of yin and yang is perhaps the single most important aspect in learning kung fu and karate, becoming an effective educator (and developing curriculum) or living life to its fullest.

The oriental martial arts are intended to take practitioners past the violent antagonism of hand-to-hand combat to a radical transformation of their very being - to a unique and inescapable trinity of fighting, philosophy, and religion. Serious devotees have found that, by channelling their energies through the martial arts, mind, body, and spirit are united, and it is possible to become one with nature and the universe. The martial artist, instead of channelling mental and spiritual energy into meditation, takes a path paved with great hardship and demanding physical effort. In time, and through total dedication to the task at hand, a very different person begins to emerge - a person freed of self-doubts and inadequacy. Pessimistic failures can be transformed into optimistic successes. Yet the martial arts also enable one to achieve a passive mental state while remaining capable, at all times, of springing into action with a deadly array of fighting skills to tackle any situation. Along this 'great way' of learning, the devotee transcends physical combat to enter the realms of philosophy in searching out the meaning of life.

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