Bill Hillman's
ROCK 'N' ROLL GREATS
Presents

GENE VINCENT
Part I: Scrapbook

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C'mon everybody: 
How Eddie Cochran and Gene Vincent 
changed British music for ever
The Independent ~ January 14, 2010 ~ By Spencer Leigh
In terms of popular culture, many commentators start the Swinging Sixties with the Beatles in 1963, but the Sixties started swinging in January 1960 itself with the UK's first rock'n'roll package tour featuring the American stars, Eddie Cochran and Gene Vincent. Judging by reports in regional newspapers by inappropriate theatre reviewers, the tour was a Grade A disaster, but of course it wasn't. The audiences loved the shows and more importantly, fledgling British musicians watched closely and determined that this was the way forward. Considering there are now films about relatively unimportant moments in rock history, it is inexplicable that there has not been a film about Cochran and Vincent, especially when the story is so colourful.

In 1956, the impresario Larry Parnes had catapulted Tommy Steele to stardom as Britain's answer to Elvis Presley. Steele played along for a while, but he was not threatening enough to be a Presley and his records made with London jazzmen lacked Presley's commitment. As Steele developed into a family entertainer, Parnes tried again with Marty Wilde and Billy Fury, who were more committed to the new music.

The managers of the American rock'n'roll stars had been reluctant to send their charges to the UK as there was more money to be made in the US. Bill Haley had passed his peak when he visited in 1957; and although Buddy Holly toured with success in March 1958, the rest of the bill was end-of-the pier variety. Lew and Leslie Grade promoted Haley and Holly but they came unstuck in May 1958 when a Jerry Lee Lewis tour was cancelled after he revealed the age of his wife.

There never was a sweet Gene Vincent. In 1956, when he was 21, the curly-haired boy from Norfolk, Virginia had stormed to success with "Be-Bop-A-Lula", but his unpredictable behaviour alienated him from his band, the Blue Caps, who complained to the union. By the autumn of 1959, he was banned from many States and reduced to playing small-time dance halls with pick-up bands. His new manager, Norm Riley, thought European dates were the answer as nobody would know of his problems. The TV producer, Jack Good booked him for ITV's Boy Meets Girl and arranged a guest appearance at Tooting Granada on Marty Wilde's stage show.

Gene was super-polite, saying "sir" and "ma'am" to everyone, and performed very well. Parnes set up some tour dates with Wee Willie Harris in January, while Good worked on his image. He loathed Vincent's vivid green suit with "GV" on the pocket, but loved the intense way he would gaze into the distance while he sang his songs. "Gene wore a leg iron," he recalls, "so he hobbled a bit. I was a Shakespeare fan, so hobbling to me meant Richard III. I even thought of giving him a hunchback, and I'm glad I didn't! Then I thought, 'He can also be moody like Hamlet', so we'll dress him in black from head to toe and put a medallion round his neck."

Norm Riley suggested another artist to Good and Parnes: Eddie Cochran. Cochran was a great-looking 21-year-old musician, who had grasped the techniques of over-dubbing, often playing several instruments on his records. His wittily observed commentaries on teenage life, "Summertime Blues" and "C'mon Everybody", matched Chuck Berry's, but following Buddy Holly's death in a plane crash in February 1959, he had been reluctant to tour. Riley told him that once he got to the UK on a major airline, there would be no flying. Indeed, most of the tour was by train and there is a telling photograph of Brian Bennett, later with the Shadows, struggling with his drum-cases on Bexhill Station.

Parnes set up a tour, mostly two houses a night, from January 24 to April 16, a combination of complete weeks in the big cities and one-night stands elsewhere. He completed the bill with his own artists, Billy Fury, Joe Brown, Vince Eager and Tony Sheridan, as and when they were available, and he secured valuable TV and radio publicity via further appearances on ITV's Boy Meets Girl and the BBC Light Programme's Saturday Club. This was the first 100 per cent rock'n'roll package to tour the UK and advance ticket sales were good.

Marty Wilde met Cochran when he arrived on mid-January: "The first thing I noticed about Eddie was his complexion. We British lads had acne, and Eddie walked in with the most beautiful hair and the most beautiful skin his skin was a light brown, a beautiful colour with all that California sunshine, and I thought, 'You lucky devil.'"

Cochran and Vincent would be backed by young British rock'n'roll musicians, among them, 16-year-old Georgie Fame: "We were told to report to this club in Soho to meet them. I remember Eddie playing guitar and we were astounded. Apart from his own stuff, he could do all that brilliant finger-style stuff that Chet Atkins did. Then he played this amazing intro to "What'd I Say" and apart from a few blues enthusiasts who had the Ray Charles record, nobody had heard it before. He played "What'd I Say" every night and within six months, every band in the country was playing it."

In a couple of days, Cochran had turned the British youngsters into a viable rock'n'roll band. "Eddie had a great trick," says Joe Brown. "He put a second string instead of a third string on his guitar, so that he could bend it and get those bluesy sounds that you never heard in England. I nicked the idea and got lots of session work as a result."

The tour began at the Gaumont, Ipswich. Eddie said: "It's great to be hear in Hipswich", and then gyrated his hips, thus milking the screams. Cochran was an instant success but Vincent proved to be variable. All his songs opened with "Wel-l-l-l-l" and it was touch and go as to whether the band would pick up what was next.

"Gene liked me to crouch down so that he could swing his bad leg over my head," says Joe Brown. "He was very accident prone and at one stage he was in plaster up to his thigh. He swung his leg up in the usual way, but caught me on the side of the head. It knocked me flat and squashed my guitar."

As they toured the country, the reviews were appalling. The Yorkshire Post described the tour as "a prolonged assault on the eardrums". The Leicester Mercury said: "These 'singers' seemed to get enjoyment out of leg-kicking, face-pulling and making the youngsters scream. I cannot believe this is true entertainment. Why do these idiotic teenagers behave in such a ridiculous fashion? "

Cochran, who, prior to the tour, had only known Vincent casually, realised what a liability he was, a paranoid fantasist who needed looking after. However, they were strangers in a strange land, not used to cities that shut down at 10.30pm, no daytime or late-night TV and no American comics.

The young British musicians were drinking occasional pints of bitter and they were surprised to find Cochran and Vincent constantly slugging Jack Daniel's from the bottle. They were wary of Vincent who, if antagonised, would say, "Wanna meet Henry?" and pull out his switchblade. One night, he cut up the road manager's suit... while it was still being worn.

The guitarist Big Jim Sullivan remembers, "Eddie was so drunk at the Liverpool Empire that we weren't sure that he would make it to the stage. It had one of those microphones that came up from the floor. We positioned Eddie so that it would come up between his body and his guitar and he could balance on it."

One thing that kept Eddie Cochran happy was a succession of girlfriends. After melancholy phone calls to a Hollywood girlfriend, the songwriter Sharon Sheeley, he was surprised when she came to England and joined the tour party. Parnes was very happy with the receipts and persuaded Cochran to join Vincent for a further tour in late April. The final week of the first leg was at the Bristol Hippodrome.

They were flying out on Sunday lunchtime from London airport, and they decided to go to London after the final show in an unlicensed cab. Speeding outside Chippenham, both Eddie and Sharon were singing "California, Here I Come" as the car hit a concrete lamppost, and Eddie Cochran was killed.

Monday's Daily Mirror led with the story, "Rock Star Dies in Crash", but such was the antipathy towards youth culture that the accident was not even highlighted in The Times.

The driver was fined £50. To be paid off at £5 a year.

Gene Vincent had been in a serious road accident, lost a close friend and damaged his ribs. He returned to America but Parnes brought him back within a fortnight for the second leg, now billed as a tribute to Eddie Cochran. One booking was at Liverpool Stadium on May 3. To replace Cochran, the bill was completed with local acts including Gerry and the Pacemakers but not the Beatles as the promoter Allan Williams did not consider them good enough. A few weeks later, Larry Parnes came to Liverpool, heard them and booked them to back Johnny Gentle on a tour of Scotland. British rock'n'roll was finding its own identity.

Parnes's tour with Gene Vincent collapsed at Theatre Royal, Nottingham, after the singer read out a telegram which said his daughter, Melody, had been killed. The audience laughed as they thought Vincent in his mumbled, incoherent way was talking about a dog. Vincent flew home to find his daughter was safe, which was always the case as he had sent the telegram to himself.

Gene Vincent staggered on with increasingly chaotic gigs and his wild personal life. He died in October 1971 of a perforated ulcer: he was a destitute, confused, overweight, alcoholic and humiliated wreck. He was buried in black leather in Newhall, California. After 15 nomadic years, Gene Vincent was staying put.

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With Jet Harris  ~ With Johnny Cash



With Little Richard

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Foreign Covers from the Rockabillhall site


Wee Willie, Dickie, Gene, Cliff and Jack


Blue Caps 2001 Tour


Collage Archive


WEB REFS
Be-Bop-A-Lula Video
Rock-a-Billy Hall of Fame Site
Be-Bop-A-Lula Solos in Tab
Cliff Gallup
Gene Vincent and Eddie Cochrane - YouTube One Hour

GENE VINCENT TRIBUTE
INTRO
PART I: Scrapbook
PART II: On Stage I
PART III: On Stage II
PART IV: Back Stage
PART V: Off Stage


Bill and Sue-On Hillman
www.hillmanweb.com